Returning from a relatively long silence with a confounding gesture is one way to try.

And when you’ve been as consistently good for as long as he has, it’s a cruel irony that it becomes harder to make something that really stands out. “I don’t think I can write songs on the guitar right now because I think I’m tapped out-I’ve hit my maximum guitar style,” he said around the release of First Taste. For Segall, working within the confines of garage and psych rock makes hairpin lefts a necessity there’s only so much room in there for a guy who moves as much as he does. Each of those albums also happened to be among his most bizarre: the former a choppy, devious conceptual escape, the latter a bouzouki- and koto-based experiment that arose from guitar fatigue. Before now, his longest gap preceded 2016’s Emotional Mugger (about 17 months), followed by 2019’s First Taste (about 13). If you go, and you should, stand back and enjoy a perfect sonic wave.Harmonizer arrives after the longest stretch that Ty Segall has ever gone between albums of original material under his own name: just over two years, or 20 Ty Segall years. It’s amazing he’s not shredding his vocal chords on a nightly basis, nor his fingers on his guitar strings.Īt this point, Segall’s career path has barely been laid out in front of him. Segall is now laser-focused, on delivering better tracks as memorably as he can.

It’s amazing what two straight years of touring will do for a psychedelic/garage rock savant. This set, during which Segall aired most of Slaughterhouse and Twins, was a flat out epic. It was loose and loud, and the set was mostly based on Goodbye Bread, a good record that doesn’t come close to the two mentioned above. That last time I saw Segall was at Wrongbar during NXNE 2011. Holy god it was cold outside on Wednesday night around 12 a.m. This advertisement has not loaded yet, but your article continues below. Manage Print Subscription / Tax Receipt.

Ty segall tour review